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Beyond the Northlands

Categories: Greek Mythology

  • Words: 2204

Published: Jul 05, 2024

Norsemen and Vikings are prevalent in popular culture. They have almost the same level of wonder and mystic as Roman or Greek mythology. Most people know some aspects of Vikings and Norsemen. As kids, they may have grown up reading stories of conquering Vikings crossing the seas in their longships. In recent times, people know Thor, his magical hammer, Loki, and Asgard, from the Norsemen. Kids and adults have also fed on films and books, such as How to Train Your Dragon and characters like critically acclaimed television series Vikings. However, as with popularized versions of any narrative, there are often significant embellishments or creative additions. Beyond the Northland s by Eleanor Rosamond Barraclough offers a non-fiction account of Vikings, their voyages, and sagas.

Barraclough follows Vikings from their Scandinavian homes as they journey across much of Europe. Vikings covered quite a significant amount of ground and distance for people using Middle Age technology. The book's narrative uses non-chronological narration and shows the Viking's expansion past the Arctic Circle, North America's shores, through Russian Rivers, and across the Atlantic Ocean and Baltic Sea. It shows how an initially unknown tribe gradually expanded from their sheltered Scandinavian land. Through a mix of ingenuity, enterprising nature, bravery, and ruthlessness, the Vikings turned into one of the most powerful and feared forces in the northern hemisphere.  Although some modern portrayals paint them as a barbarous and warfaring tribe, the novel shows they were a lot more than that. Barraclough uses medieval texts, maps, stone sculptures, and other historical artifacts to humanize them. She paints them with an agency, complex motives, and a rich culture.

Vikings have been subject to scholarly interest since the 19th century. Therefore, the book has little information that one could consider groundbreaking. Understandably, as a non-fiction book, the novel has a lot of informational overlap with previous works.  Additionally, the author has to rely on old Norse sagas and writings from later writers. The book might lack in new information, but it is far from being boring. The writing style is engaging, and Barraclough uses Norse tales, fables, and sagas that are new or little-known. Even if a reader might have read other books about Vikings, it would still be an exciting narrative.

The novel covers many geographic order topics, starting with the North, then West, East, and South. The narrative's format is tight enough, so it does not confuse a reader. However, it is flexible enough to keep it interesting and avoid being formulaic. Barraclough begins with a brief introduction showing how Vikings changed Europe. She also hints at the adventures to distant lands that she covers in later sections of the book. The first chapters also provide preliminary information about their culture and society. For instance, she dwells a little on Viking ancestry in Britain and how their DNA became mixed with early Anglo Saxons (Barraclough 32).

Rather than glossing over the Vikings' warlike nature, the introduction also highlights some of the battles and raids on Anglo Saxon towns and monks.  Explaining the blood spilled is critical. It helps the reader get some perspective on how Vikings turned into the stereotypical primitive heathen in the middle ages and more recent years. One of the book's minor sections is one where the author explains how to pronounce people's and place names in the novel. While pronunciation is not critical to the reading experience, it is a welcome addition since Scandinavian dialects, and old English might have strange letters and words.

People automatically think of the Northlands when they picture Vikings. Indeed, the book explains that Norsemen is a play on the word North. Iceland, Greenland, Norway, Sweden, and Finland are all integral to the Vikings. The author explains that despite the popular notion that Vikings only expanded southward, they also went into arctic and Russian territories. A reader gradually recognizes the expansiveness of the Viking's reach and adventure. The chapter traces their relationship between Icelanders, the Sarni, and other little-known people like the Knives and Finnars. Importantly, the narrative also follows traders such as Ohthere as they traversed the cold, bleak, but beautiful regions near the arctic seeking resources and selling what he had. The novel shows how the trade for commodities such as furs, wool, linen, and rings was essential to the Viking's expansion (Barraclough 73). Another credit to Barragclough's narrative skills is making relatable references that help a reader with little knowledge of the topic get a more vivid picture.

Any literature about the Viking and Norse society would be incomplete without their religion, supernatural elements, and magic. After all, these are some of the most famous things that people know about Northlands. The author occasionally details the significance of witches, trolls, giants, monsters, and rituals that seem exotic and entertaining. They give a sense of wonder that contextualizes Norse life and beliefs.

The average reader might know the Vikings were adventurous. However, the book puts it into perspective. Barraclough shows how they moved even to North America, thus dispelling the common perception that they only went to Europe. Readers might be surprised to read that some of Viking's sagas include stories about Africa (Barraclough 343). Therefore, the author gives Norsemen an expansive view rather than the narrow focus some works use when they limit Vikings to warriors fighting in Europe.

Barraclough traveled to many of the Nordic destinations she mentions in the book. She also acknowledges that most information about Viking comes from the outside and does not tell much of how they saw themselves and experienced the world.  Her experiences in these places complement the numerous primary and secondary sources from which she gets her information. The book heavily relies on translated Viking Sagas, which have extensive first-hand information about the Viking's adventures and experiences across many centuries. Although she mainly uses them as references, they are critical in immersing the reader into the narrative to get glimpses of how Norsemen saw their world. The book also uses numerous illustrations, such as pictures, drawings, maps, and historical artifacts. Overall, such elements allow the reader to relate to much of the content. At nearly 400 pages long, the book has considerable information on Vikings. It provides sufficient information about Norsemen. It also avoids being overbearing and providing too much information or overwhelming the reader with anecdotes and facts. However, it is not a book a reader can finish in one sitting.

One minor drawback is that although the book seeks to explain Viking Voyages, it does not off er much information on how they traveled the sea. The Viking Longship is a core part of Viking seafaring past since it allowed to traverse large water bodies. However, it receives little mention in the book. Barraclough does not explain how the ships worked or navigated across the Atlantic Ocean or Baltic Sea.

Arguably, the book's most significant strength comes from Barraclough's conversational tone and relatively simple grammar. It prevents the narrative from becoming a boring narration of facts and occurrences about an ancient tribe. Instead, she gives the Vikings life, so the reader understands they were complex people. The book also reminds a reader that 'Vikings' and 'Norsemen' are only convenient terms for many cultures that once lived across several countries and centuries (Barraclough360). Additionally, even though they were significantly distinct from people living in other European regions, the book humanizes them. For instance, Barraclough shows the Northlands were not immune to the fear of witchcraft, so Norsemen had their fair share of witch-trials.

The novel started by addressing the Viking stereotype as bloodthirsty barbarians, it concludes by showing how stories evolve. Stories are different depending on which side the narrator belongs to. Consequently, history has gradually shaped Vikings into adventurous and romantic heroes. Barraclough reiterates the irony that without narration, stories disappear, but the narration also transforms them.

The book uses a creative and engaging narrative. It is a good recommendation for anyone who might be curious about Vikings, their way of life, and their historical significance. The author covers multiple Viking-related topics, so she gives her audience a sufficiently wide scope. Therefore, Beyond the Northland s is also an ideal first book for a person who might want to delve deeper into Vikings. The reader enjoys the book because of the saga's entertainment value and because it is very informative on Vikings.

Works Cited

  • Barraclough, Eleanor Rosamund. Beyond the Northland s: Viking voyages and the old Norse sagas. Oxford University  Press, 2016

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