Flagler-palm Coast High School - MUSIC 1302314

1)On small-budget films, what qualities or qualifications might a filmmaker seek in a production sound mixer?

2. What are wild lines, and why are they not present in theatrical productions?
3. How can footsteps be muffled when filming takes place?
4. What is ambient sound, and what is its purpose in film? When can it be a drawback?
5. What is the difference between diegetic and non-diegetic sound? Give some examples of each.
6. Consider the sound work positions in theatre: sound designer, sound engineer, sound tech, and sound board operator. Which position would you want to try out and why?
7. In what ways do you think wireless microphones have been a beneficial development for film and theatre?
8. What does a production sound mixer do? Which responsibility of a production sound mixer do you think sounds most difficult and why?
9. Think about a film you saw recently. What type of sound was in the film? What aspects of the sound made the film a more enjoyable experience, and what aspects made it a less enjoyable experience? Think about
10. Think about an exciting event in your life and briefly describe it. If this event were going to become a film, what type of microphones would be needed? What type of sound effects?