Manifesto of the futurist architecture

            I am certain that is a feeling. It is a demonstration of the people we are like hominid beings who react to a sentiment or unfeeling actions of other people, the normal sphere, as well as the unnatural domain. We craft art for the reason that we ought to react; to anger, fear, respond in peace, adoration, love, complexity, joy, healing, and bewilderment. Therefore, the center of art is change. Transformation is as easy as impacting a small feature of man’s society. I am of the notion that change needs not be drastic. I am certain that forming a unified, lively community that bonds all members is key to fostering the development of persons. Community creations are the pillars of a community, forming and upholding the intellect of community.  Thus, works of art, graphic and else, ought to be produced and maintained by community members as vital mementos and signs of unified community.

            My blogs are rooted and draw their strength on the involvedness of legacy from history, memories, writings and the present emerging expertise. The works featured in this writing are Home Sweet Home, Desert Pines High School, situated in Las Vegas, Nevada, the statue of Zeus and the ‘Stratosphere’ located in Las Vegas’ City ‘strip’. No structural design was present from1700. A dense blend of the many several artistic essentials masked the frames of current structures called present construction. The fresh splendor of iron and cement are desecrated by the overlapping of assorted ornate crusts that cannot be warranted by either constructive requisite or by the modern flavor. Thus, this open and artificial art has turned to be an empty artistic workout in their hand, a junk of ill-mixed formulations to mask a run of the mill traditional chest of blocks and stones as a contemporary building. As if we the collectors and producers of movement, together with all extra automated limbs, plus all the noises and haste of life, can live in highways constructed for men centuries ago.

The issue set in futurist structural design is not of lined reorganization. This is not a query of discovering innovative moldings and mounts for doors and windows, of replacing pillars, columns and corbels having caryatids, frogs and flies. Neither is there anything to do with parting a frontage in plain bricks, or coating it, or finishing it using stones or in defining proper variances amid the new structure and the ancient one. The question is on nurturing the healthy progression of the creative thinker’s house, but of building it with every resource of science and technology, filling augustly all the claims of our ways and spirit, crushing down all which is outrageous and adverse (style, tradition, proportion, aesthetics), defining new types, different lines, new agreement of volumes and profiles, a construction whose motive of being may be discovered exclusively in the distinctive situations of present life, and in its equivalence with the artistic standards of our susceptibilities. This construction cannot be subject to any rule of ancient steadiness. It ought to be original, as our min’s state is new.

Take the examples of structures I have illustrated such as my house it possesses three bedrooms, two restrooms, one kitchen, a dining room, living room a washing room, and one garage that fits one car. There is also a driveway that fits three cars close to each other, and lastly a courtyard for children to play and family cook out. I reside with my sister, my sister’s husband my nephew, and brother, a full house of five individuals. In the house, I have a private chamber where I carry out my stuff like assignments, sleep, play videogames, watch TV etc. Consequently, I could settle that the shelter functions as a home space because of the point that I complete my tasks peacefully and calmness. Generally, the house in my view feels hospitable, saying this since it is full of light inside because of the windows, as well as the colored walls are create an extremely energetic setting for everybody that gets in. It is precisely what anyone wants and comfortable.

As for the statue of Zeus it was prepared by use of a wooden mount and protected with ivory and gold panels. Because of the sculpture being shaped from wood, it required a lot of exceptional care since the Olympia was an extremely humid space, and the wetness could destroy the statue, thus, olive oil had to be smeared on the entire sculpture itself to preserve it from weakening. This different from the prior illustration because it needs excess care incase left in the arms of reckless people it would not last. This is also very different from the ‘Stratosphere’ situated in Las Vegas’ City ‘strip’ is the highest self-supporting viewing tower in the United States and has a elevation of 1,149 feet. The beauty of this structure distinguishes it from so many other buildings, its design is unique. The fireworks and the beautiful lights it reflects lit the entire city making it look extremely outstanding.

The art of building has continued to progress over time, as well as pass from a flair to the other, whereas upholding intact the overall features of construction, since times go by then variations of style are recurrent and are resolute by the changes of spiritual belief and political temperament. However, deep variations in the situation of a surrounding are very rare, variations that disturb and refurbish, like the finding of usual rules, the perfection of automation denotes, the logical and technical employment of materials.

In contemporary life the procedure of artistic progress in structural design has been conveyed to a standstill. We ought to formulate and reconstruct a Futurist city such as a vast and unrestrained boatyard, nimble, moveable and active in each detail; and the Futurist structure should be like a massive machine.