Homework answers / question archive / University of Central Florida FIL 1000 Quiz 4 1)In Annie Hall, Woody Allen employs ___________ for gags like the classroom sequence, and ____________ in scenes that develop the plot, like Annie and Alvy’s first encounter at her apartment

University of Central Florida FIL 1000 Quiz 4 1)In Annie Hall, Woody Allen employs ___________ for gags like the classroom sequence, and ____________ in scenes that develop the plot, like Annie and Alvy’s first encounter at her apartment

Business

Share With

---

1)In Annie Hall, Woody Allen employs ___________ for gags like the classroom sequence, and ____________ in scenes that develop the plot, like Annie and Alvy’s first encounter at her apartment.

 

2. In his essay on Annie Hall, Ebert notes that the average shot length in the film is half that of other movies released in 1977.:

 

 

3. Which is not an explicit example of “breaking the fourth wall” in Annie Hall?:

 

 

4. Annie Hall tells a linear story in strict chronological order.:

 

 

5. Which is NOT a repeated image that signifies deeper meaning in Blue Velvet?

       

 

6. Based on their clip from At the Movies, Gene Siskel finds Blue Velvet offensive for its treatment of women, while Ebert lauds it for its director’s ability to “play the audience like a piano”.:

 

 

7. The plot of Blue Velvet infolds according to dream logic, with the daytime scenes staged as ____________ and the night scenes portraying ________________.

 

8. While both Powell in Night of the Hunter and Booth in Blue Velvet are monstrous villains who dominate women, Powell’s aggression is characterized by lust while Booth’s is by greed for money:

 

 

9. While ______________ uses obvious techniques like animation, subtitles, and direct address to camera to reveal the artificiality of its storytelling, ___________________ relies on exaggeration and irony within classical dramatic structure.

 

10. Jeffrey breaks into singer Dorothy Vallens' apartment and witnesses her sadomasochistic encounter with Frank Booth.: