University of Central Florida FIL 1000 Quiz 1 1)The clip shown in class of Laurence Oliver’s “to be or not to be soliloquy from Hamlet is an example of: According to the exercise in class, the twister that picks up Dorothy and carries her to the land of Oz is the: Konstantin Stanislavsky argued that the actor’s ultimate responsibility was: According to the online readings, the chief difference between the British and American edits of Strangers on a Train is: The founder of the Actors’ Studio, whose singular focus on emotional memory created a rift with the rest of the co founders of the Group Theatre was: ____________was the only one of the chief proponents of “the method” in American acting to have studied under Stanislavsky himself

1)The clip shown in class of Laurence Oliver’s “to be or not to be soliloquy from Hamlet is an example of:

2. According to the exercise in class, the twister that picks up Dorothy and carries her to the land of Oz is the:
3. Konstantin Stanislavsky argued that the actor’s ultimate responsibility was:
4. According to the online readings, the chief difference between the British and American edits of Strangers on a Train is:
5. The founder of the Actors’ Studio, whose singular focus on emotional memory created a rift with the rest of the co founders of the Group Theatre was:
6. ____________was the only one of the chief proponents of “the method” in American acting to have studied under Stanislavsky himself.
7. Restorative three act dramatic form permanently changes the fundamental structure of society:
8. _____________ was the director most responsible for bringing “the method” from the stage schools of New York to the Hollywood screen.
9. According to both Aristotle and the parameters of the well made play what is true about plot surprises?
10.  “Method” acting focuses on external representations of character like gesture, movement, and vocal control.
11. According to the online reading, how does On the Waterfront parallel the director’s own experience?
12. Rank Aristotle’s elements of drama according to his judgment of their importance.